Road Less Traveled is a whimsical photograph taken in the back country of Yellowstone National Park in Montana. Captured by Brett on a foggy morning in early autumn this image is a classic example of how composition and natural light create beautiful moments. “I came upon this clearing at dawn while hiking in a dense fog. I fell in love with the rustic wooden path and decided to wait in hopes that the fog would lift enough to reveal the lone tree that lies in the middle of the marsh.” Brett was pleasantly suprised that his patients paid off. The result is Road Less Traveled and the new showcase of his Fall, 2012 collection.
Early mornings are Brett’s favorite time to photograph and Alpenglow shows why that is. “The light is simply magical before sunrise” explains Brett. “I remember framing this shot and watching the rock catch fire with light. It was a wonderful experience to witness the landscape wake up like that.” The bare rock illuminated by the rising sun is a perfect contrast to the lush valley below.
Volcanic Coast was captured on the rugged coast of Northern California in the late evening one autumn night. As the sun fell below the horizon the smoke from nearby forest fires glowed with awesome intensity. Brett had scouted the location days before capturing Volcanic Coast. Situated on a remote beach on the coast of Northern California, this oceanscape features a fresh water lagoon remarkably close to the Pacific Ocean. This unusual beach, littered with large driftwood and smooth rocks, is part of the California State protected coastline which has protected this unique landscape and will continue to protect it for generations to come.
Hidden Hammock portrays the peaceful solitude of the Gulf of Mexico shoreline. Taken during the summer months on the coast of Florida, Brett traveled to this site a dozen times before finally capturing this final print. “I wanted it to be just right” explains Brett about his quest to capture Hidden Hammock. “The shot was difficult because there were many shadows to contend with and a bright ocean in the background. In order to get my exposure dialed in, I waited until sunset when the shadows were at a minimum and the light was soft. Using a semi-long exposure I was able to pick up the subtle, golden hues in the tree bark and still maintain the ocean in the background.”