Filmed early in the morning, prior to sunrise, Midnight Pier is a dramatic image full of color and life. This dreamy landscape was captured in Brett’s camera using a long exposure and a very sturdy tripod. Working with his camera on this beach in the dark, he opened his shutter for several minutes allowing the subtle light to slowly fall upon the film. Using this technique, Brett is able to photograph a world not seen by the human eye… a place full of colors that goes beyond the boundaries of our vision.
Hidden Hammock portrays the peaceful solitude of the Gulf of Mexico shoreline. Taken during the summer months on the coast of Florida, Brett traveled to this site a dozen times before finally capturing this final print. “I wanted it to be just right” explains Brett about his quest to capture Hidden Hammock. “The shot was difficult because there were many shadows to contend with and a bright ocean in the background. In order to get my exposure dialed in, I waited until sunset when the shadows were at a minimum and the light was soft. Using a semi-long exposure I was able to pick up the subtle, golden hues in the tree bark and still maintain the ocean in the background.”
Road Less Traveled is a whimsical photograph taken in the back country of Yellowstone National Park in Montana. Captured by Brett on a foggy morning in early autumn this image is a classic example of how composition and natural light create beautiful moments. “I came upon this clearing at dawn while hiking in a dense fog. I fell in love with the rustic wooden path and decided to wait in hopes that the fog would lift enough to reveal the lone tree that lies in the middle of the marsh.” Brett was pleasantly suprised that his patients paid off. The result is Road Less Traveled and the new showcase of his Fall, 2012 collection.
Brett has taken long exposure photography to a new level with Infinity, a rare photograph of famous Delicate Arch in Arches National Park. “I was patiently watching a magnificent sunset fall upon the arch” recalls Brett. “But I wasn’t there to photograph a sunset.” As light turned to dark the stars began to paint the sky. The Milky Way shifted from left to right as Brett aligned his camera on the sandstone slope below. Taking only a 45 second exposure and pushing his camera aperture to the limit to reduce the effects of the Earth’s rotation, Brett captured Infinity when the Milky Way was framed by this iconic landmark.